An Orthodox akathist hymn
From Glory to God for All Things.
This is poetry, and more than poetry ... although perhaps it is irreverent to speak of such an inspired hymn as merely poetry.
I will incline mine ear to the parable, and shew my dark speech upon the harp
from Psalm 49
Tuesday, August 07, 2007
Still nauseating after all these years
Amiri Baraka.
Via poetryfoundation.org ... a site with a generous archive of poetry (see their "Poetry Tool"), but elsewhere in the site, we see an unfortunate tendency to promote ... well, the most charitable description would be "cacophonous communards of cultural catastrophe."
Amiri Baraka.
Via poetryfoundation.org ... a site with a generous archive of poetry (see their "Poetry Tool"), but elsewhere in the site, we see an unfortunate tendency to promote ... well, the most charitable description would be "cacophonous communards of cultural catastrophe."
Charles Simic
New US poet laureate.
His bio, and links to some of his poems.
A confession: He's not my favorite poet.
New US poet laureate.
His bio, and links to some of his poems.
A confession: He's not my favorite poet.
Sunday, August 05, 2007
Friday, August 03, 2007
Cummings
whatever's merely wilful,
and not miraculous
(be never it so skilful)
must wither fail and cease
--but better than to grow
beauty knows no
their goal(in calm and fury:
through joy and anguish)who've
made her,outglory glory
the little while they live--
unless by your thinking
forever's long
let beauty touch a blunder
(called life)we die to breathe,
itself becomes her wonder
--and wonderful is death;
but more,the older he's
the younger she's
whatever's merely wilful,
and not miraculous
(be never it so skilful)
must wither fail and cease
--but better than to grow
beauty knows no
their goal(in calm and fury:
through joy and anguish)who've
made her,outglory glory
the little while they live--
unless by your thinking
forever's long
let beauty touch a blunder
(called life)we die to breathe,
itself becomes her wonder
--and wonderful is death;
but more,the older he's
the younger she's
Labels:
E. E. Cummings
Friday, July 27, 2007
Requiescat
by Oscar Wilde (1854-1900)
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
by Oscar Wilde (1854-1900)
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
Labels:
Oscar Wilde,
poetry
Thursday, July 19, 2007
Seamus Heaney
from the first of the "Glanmore Sonnets"
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then ... Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.
from the first of the "Glanmore Sonnets"
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then ... Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.
Labels:
poetry,
Seamus Heaney
Sunday, July 15, 2007
Cummings
when the proficient poison of sure sleep
bereaves us of our slow tranquillities
and He without Whose favour nothing is
(being of men called Love)upward doth leap
from the mute hugeness of depriving deep
with thunder of those hungering wings of His,
into the lucent and large signories
—i shall not smile,beloved;i shall not weep:
when from the less-than-whiteness of thy face
(whose eyes inherit vacancy)will time
extract his inconsiderable doom,
when these thy lips beautifully embrace
nothing
and when thy bashful hands assume
silence beyond the mystery of rhyme
when the proficient poison of sure sleep
bereaves us of our slow tranquillities
and He without Whose favour nothing is
(being of men called Love)upward doth leap
from the mute hugeness of depriving deep
with thunder of those hungering wings of His,
into the lucent and large signories
—i shall not smile,beloved;i shall not weep:
when from the less-than-whiteness of thy face
(whose eyes inherit vacancy)will time
extract his inconsiderable doom,
when these thy lips beautifully embrace
nothing
and when thy bashful hands assume
silence beyond the mystery of rhyme
Labels:
E. E. Cummings
Back to poetry!
Meredith of For Keats' Sake! searches for the perfect line.
A few of my candidates:
She moved in circles, and those circles moved (Roethke)
She sang beyond the genius of the sea (Stevens)
A fasted will marauding through the body (Heaney)
The sundering ultimate kingdom of genesis' thunder (Dylan Thomas, see below)
e quindi uscimmo a riveder le stelle (Dante)
benignamente d'umiltà vestuta (Dante)
Le vierge, le vivace, et le bel aujourd'hui (Mallarmé)
How wrong they are in always being right (Auden)
one's not half two. It's two are halves of one (Cummings)
And night is all a settlement of snow (Wilbur)
(I don't know if I should include such masterful single lines as "upon" by William Carlos Williams, or "satis-" by Robert Creeley ... )
Meredith of For Keats' Sake! searches for the perfect line.
A few of my candidates:
She moved in circles, and those circles moved (Roethke)
She sang beyond the genius of the sea (Stevens)
A fasted will marauding through the body (Heaney)
The sundering ultimate kingdom of genesis' thunder (Dylan Thomas, see below)
e quindi uscimmo a riveder le stelle (Dante)
benignamente d'umiltà vestuta (Dante)
Le vierge, le vivace, et le bel aujourd'hui (Mallarmé)
How wrong they are in always being right (Auden)
one's not half two. It's two are halves of one (Cummings)
And night is all a settlement of snow (Wilbur)
(I don't know if I should include such masterful single lines as "upon" by William Carlos Williams, or "satis-" by Robert Creeley ... )
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