Still nauseating after all these years
Amiri Baraka.
Via poetryfoundation.org ... a site with a generous archive of poetry (see their "Poetry Tool"), but elsewhere in the site, we see an unfortunate tendency to promote ... well, the most charitable description would be "cacophonous communards of cultural catastrophe."
I will incline mine ear to the parable, and shew my dark speech upon the harp
from Psalm 49
Tuesday, August 07, 2007
Charles Simic
New US poet laureate.
His bio, and links to some of his poems.
A confession: He's not my favorite poet.
New US poet laureate.
His bio, and links to some of his poems.
A confession: He's not my favorite poet.
Sunday, August 05, 2007
Friday, August 03, 2007
Cummings
whatever's merely wilful,
and not miraculous
(be never it so skilful)
must wither fail and cease
--but better than to grow
beauty knows no
their goal(in calm and fury:
through joy and anguish)who've
made her,outglory glory
the little while they live--
unless by your thinking
forever's long
let beauty touch a blunder
(called life)we die to breathe,
itself becomes her wonder
--and wonderful is death;
but more,the older he's
the younger she's
whatever's merely wilful,
and not miraculous
(be never it so skilful)
must wither fail and cease
--but better than to grow
beauty knows no
their goal(in calm and fury:
through joy and anguish)who've
made her,outglory glory
the little while they live--
unless by your thinking
forever's long
let beauty touch a blunder
(called life)we die to breathe,
itself becomes her wonder
--and wonderful is death;
but more,the older he's
the younger she's
Labels:
E. E. Cummings
Friday, July 27, 2007
Requiescat
by Oscar Wilde (1854-1900)
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
by Oscar Wilde (1854-1900)
Tread lightly, she is near
Under the snow,
Speak gently, she can hear
The daisies grow.
All her bright golden hair
Tarnished with rust,
She that was young and fair
Fallen to dust.
Lily-like, white as snow,
She hardly knew
She was a woman, so
Sweetly she grew.
Coffin-board, heavy stone,
Lie on her breast,
I vex my heart alone,
She is at rest.
Peace, Peace, she cannot hear
Lyre or sonnet,
All my life's buried here,
Heap earth upon it.
Labels:
Oscar Wilde,
poetry
Thursday, July 19, 2007
Seamus Heaney
from the first of the "Glanmore Sonnets"
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then ... Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.
from the first of the "Glanmore Sonnets"
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then ... Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.
Labels:
poetry,
Seamus Heaney
Sunday, July 15, 2007
Cummings
when the proficient poison of sure sleep
bereaves us of our slow tranquillities
and He without Whose favour nothing is
(being of men called Love)upward doth leap
from the mute hugeness of depriving deep
with thunder of those hungering wings of His,
into the lucent and large signories
—i shall not smile,beloved;i shall not weep:
when from the less-than-whiteness of thy face
(whose eyes inherit vacancy)will time
extract his inconsiderable doom,
when these thy lips beautifully embrace
nothing
and when thy bashful hands assume
silence beyond the mystery of rhyme
when the proficient poison of sure sleep
bereaves us of our slow tranquillities
and He without Whose favour nothing is
(being of men called Love)upward doth leap
from the mute hugeness of depriving deep
with thunder of those hungering wings of His,
into the lucent and large signories
—i shall not smile,beloved;i shall not weep:
when from the less-than-whiteness of thy face
(whose eyes inherit vacancy)will time
extract his inconsiderable doom,
when these thy lips beautifully embrace
nothing
and when thy bashful hands assume
silence beyond the mystery of rhyme
Labels:
E. E. Cummings
Back to poetry!
Meredith of For Keats' Sake! searches for the perfect line.
A few of my candidates:
She moved in circles, and those circles moved (Roethke)
She sang beyond the genius of the sea (Stevens)
A fasted will marauding through the body (Heaney)
The sundering ultimate kingdom of genesis' thunder (Dylan Thomas, see below)
e quindi uscimmo a riveder le stelle (Dante)
benignamente d'umiltà vestuta (Dante)
Le vierge, le vivace, et le bel aujourd'hui (Mallarmé)
How wrong they are in always being right (Auden)
one's not half two. It's two are halves of one (Cummings)
And night is all a settlement of snow (Wilbur)
(I don't know if I should include such masterful single lines as "upon" by William Carlos Williams, or "satis-" by Robert Creeley ... )
Meredith of For Keats' Sake! searches for the perfect line.
A few of my candidates:
She moved in circles, and those circles moved (Roethke)
She sang beyond the genius of the sea (Stevens)
A fasted will marauding through the body (Heaney)
The sundering ultimate kingdom of genesis' thunder (Dylan Thomas, see below)
e quindi uscimmo a riveder le stelle (Dante)
benignamente d'umiltà vestuta (Dante)
Le vierge, le vivace, et le bel aujourd'hui (Mallarmé)
How wrong they are in always being right (Auden)
one's not half two. It's two are halves of one (Cummings)
And night is all a settlement of snow (Wilbur)
(I don't know if I should include such masterful single lines as "upon" by William Carlos Williams, or "satis-" by Robert Creeley ... )
Saturday, July 14, 2007
Friday, July 13, 2007
from Ceremony after a Fire Raid
by Dylan Thomas (1914-1953)
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
And the golden pavements laid in requiems,
Into the cauldrons of the statuary,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter forever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
by Dylan Thomas (1914-1953)
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
And the golden pavements laid in requiems,
Into the cauldrons of the statuary,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter forever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
Labels:
Dylan Thomas,
poetry
Thursday, July 12, 2007
Cummings
from i: six nonlectures, Nonlecture Two
One ever memorable day, our ex-substantialist (deep in structural meditation) met head-on professor Royce; who was rolling peacefully home from a lecture. "Estlin" his courteous and gentle voice hazarded "I understand that you write poetry." I blushed. "Are you perhaps" he inquired, regarding a particular leaf of a particular tree "acquainted with the sonnets of Dante Gabriel Rossetti?" I blushed a different blush and shook an ignorant head. "Have you a moment?" he shyly suggested, less than half looking at me; and just perceptibly appended "I rather imagine you might enjoy them." Shortly thereafter, sage and ignoramus were sitting opposite each other in a diminutive study (marvellously smelling of tobacco and cluttered with student notebooks of a menacing bluish shade)--the ignoramus listening, enthralled; the sage intoning, lovingly and beautifully, his favorite poems. And very possibly (although I don't, as usual, know) that is the reason--or more likely the unreason--I've been writing sonnets ever since.
from i: six nonlectures, Nonlecture Two
One ever memorable day, our ex-substantialist (deep in structural meditation) met head-on professor Royce; who was rolling peacefully home from a lecture. "Estlin" his courteous and gentle voice hazarded "I understand that you write poetry." I blushed. "Are you perhaps" he inquired, regarding a particular leaf of a particular tree "acquainted with the sonnets of Dante Gabriel Rossetti?" I blushed a different blush and shook an ignorant head. "Have you a moment?" he shyly suggested, less than half looking at me; and just perceptibly appended "I rather imagine you might enjoy them." Shortly thereafter, sage and ignoramus were sitting opposite each other in a diminutive study (marvellously smelling of tobacco and cluttered with student notebooks of a menacing bluish shade)--the ignoramus listening, enthralled; the sage intoning, lovingly and beautifully, his favorite poems. And very possibly (although I don't, as usual, know) that is the reason--or more likely the unreason--I've been writing sonnets ever since.
Mary's Girlhood
(For a Picture)
by Dante Gabriel Rossetti (1828-1882)
This is that blessed Mary, pre-elect
God's Virgin. Gone is a great while, and she
Dwelt young in Nazareth of Galilee.
Unto God's will she brought devout respect,
Profound simplicity of intellect,
And supreme patience. From her mother's knee
Faithful and hopeful; wise in charity;
Strong in grave peace; in pity circumspect.
So held she through her girlhood; as it were
An angel-water'd lily, that near God
Grows and is quiet. Till, one dawn at home,
She woke in her white bed, and had no fear
At all,—yet wept till sunshine, and felt aw'd:
Because the fulness of the time was come.
(For a Picture)
by Dante Gabriel Rossetti (1828-1882)
This is that blessed Mary, pre-elect
God's Virgin. Gone is a great while, and she
Dwelt young in Nazareth of Galilee.
Unto God's will she brought devout respect,
Profound simplicity of intellect,
And supreme patience. From her mother's knee
Faithful and hopeful; wise in charity;
Strong in grave peace; in pity circumspect.
So held she through her girlhood; as it were
An angel-water'd lily, that near God
Grows and is quiet. Till, one dawn at home,
She woke in her white bed, and had no fear
At all,—yet wept till sunshine, and felt aw'd:
Because the fulness of the time was come.
Tuesday, July 10, 2007
Keats
by Henry Wadsworth Longfellow
The young Endymion sleeps Endymion's sleep;
The shepherd-boy whose tale was left half told!
The solemn grove uplifts its shield of gold
To the red rising moon, and loud and deep
The nightingale is singing from the steep;
It is midsummer, but the air is cold;
Can it be death? Alas, beside the fold
A shepherd's pipe lies shattered near his sheep.
Lo! in the moonlight gleams a marble white,
On which I read: "Here lieth one whose name
Was writ in water." And was this the meed
Of his sweet singing? Rather let me write:
"The smoking flax before it burst to flame
Was quenched by death, and broken the bruised reed."
by Henry Wadsworth Longfellow
The young Endymion sleeps Endymion's sleep;
The shepherd-boy whose tale was left half told!
The solemn grove uplifts its shield of gold
To the red rising moon, and loud and deep
The nightingale is singing from the steep;
It is midsummer, but the air is cold;
Can it be death? Alas, beside the fold
A shepherd's pipe lies shattered near his sheep.
Lo! in the moonlight gleams a marble white,
On which I read: "Here lieth one whose name
Was writ in water." And was this the meed
Of his sweet singing? Rather let me write:
"The smoking flax before it burst to flame
Was quenched by death, and broken the bruised reed."
Labels:
Henry Wadsworth Longfellow,
John Keats,
poetry,
sonnets
Monday, July 09, 2007
Dylan Thomas
from "There was a saviour"
Silence, silence to do, when earth grew loud,
In lairs and asylums of the tremendous shout.
from "There was a saviour"
Silence, silence to do, when earth grew loud,
In lairs and asylums of the tremendous shout.
Labels:
Dylan Thomas
from Divina Commedia
by Henry Wadsworth Longfellow
IV
With snow-white veil, and garments as of flame,
She stands before thee, who so long ago
Filled thy young heart with passion and the woe
From which thy song in all its splendors came;
And while with stern rebuke she speaks thy name,
The ice about thy heart melts as the snow
On mountain heights, and in swift overflow
Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam
As of the dawn on some dark forest cast,
Seems on thy lifted forehead to increase;
Lethe and Eunoë -- the remembered dream
And the forgotten sorrow -- bring at last
That perfect pardon which is perfect peace.
V
I lift mine eyes, and all the windows blaze
With forms of saints and holy men who died,
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ's Triumph, and the angelic roundelays,
With splendor upon splendor multiplied;
And Beatrice again at Dante's side
No more rebukes, but smiles her words of praise.
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of peace and love
And benedictions of the Holy Ghost;
And the melodious bells among the spires
O'er all the house-tops and through heaven above
Proclaim the elevation of the Host!
by Henry Wadsworth Longfellow
IV
With snow-white veil, and garments as of flame,
She stands before thee, who so long ago
Filled thy young heart with passion and the woe
From which thy song in all its splendors came;
And while with stern rebuke she speaks thy name,
The ice about thy heart melts as the snow
On mountain heights, and in swift overflow
Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam
As of the dawn on some dark forest cast,
Seems on thy lifted forehead to increase;
Lethe and Eunoë -- the remembered dream
And the forgotten sorrow -- bring at last
That perfect pardon which is perfect peace.
V
I lift mine eyes, and all the windows blaze
With forms of saints and holy men who died,
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ's Triumph, and the angelic roundelays,
With splendor upon splendor multiplied;
And Beatrice again at Dante's side
No more rebukes, but smiles her words of praise.
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of peace and love
And benedictions of the Holy Ghost;
And the melodious bells among the spires
O'er all the house-tops and through heaven above
Proclaim the elevation of the Host!
Labels:
Henry Wadsworth Longfellow,
poetry,
sonnets
The Dark Angel
by Lionel Johnson (1867-1902)
Dark Angel, with thine aching lust
To rid the world of penitence:
Malicious Angel, who still dost
My soul such subtile violence!
Because of thee, no thought, no thing,
Abides for me undesecrate:
Dark Angel, ever on the wing,
Who never reachest me too late!
When music sounds, then changest thou
Its silvery to a sultry fire:
Nor will thine envious heart allow
Delight untortured by desire.
Through thee, the gracious Muses turn,
To Furies, O mine Enemy!
And all the things of beauty burn
With flames of evil ecstasy.
Because of thee, the land of dreams
Becomes a gathering place of fears:
Until tormented slumber seems
One vehemence of useless tears.
When sunlight glows upon the flowers,
Or ripples down the dancing sea:
Thou, with thy troop of passionate powers,
Beleaguerest, bewilderest, me.
Within the breath of autumn woods,
Within the winter silences:
Thy venomous spirit stirs and broods,
O Master of impieties!
The ardour of red flame is thine,
And thine the steely soul of ice:
Thou poisonest the fair design
Of nature, with unfair device.
Apples of ashes, golden bright;
Waters of bitterness, how sweet!
O banquet of a foul delight,
Prepared by thee, dark Paraclete!
Thou art the whisper in the gloom,
The hinting tone, the haunting laugh:
Thou art the adorner of my tomb,
The minstrel of mine epitaph.
I fight thee, in the Holy Name!
Yet, what thou dost, is what God saith:
Tempter! should I escape thy flame,
Thou wilt have helped my soul from Death:
The second Death, that never dies,
That cannot die, when time is dead:
Live Death, wherein the lost soul cries,
Eternally uncomforted.
Dark Angel, with thine aching lust!
Of two defeats, of two despairs:
Less dread, a change to drifting dust,
Than thine eternity of cares.
Do what thou wilt, thou shalt not so,
Dark Angel! triumph over me:
Lonely, unto the Lone I go;
Divine, to the Divinity.
by Lionel Johnson (1867-1902)
Dark Angel, with thine aching lust
To rid the world of penitence:
Malicious Angel, who still dost
My soul such subtile violence!
Because of thee, no thought, no thing,
Abides for me undesecrate:
Dark Angel, ever on the wing,
Who never reachest me too late!
When music sounds, then changest thou
Its silvery to a sultry fire:
Nor will thine envious heart allow
Delight untortured by desire.
Through thee, the gracious Muses turn,
To Furies, O mine Enemy!
And all the things of beauty burn
With flames of evil ecstasy.
Because of thee, the land of dreams
Becomes a gathering place of fears:
Until tormented slumber seems
One vehemence of useless tears.
When sunlight glows upon the flowers,
Or ripples down the dancing sea:
Thou, with thy troop of passionate powers,
Beleaguerest, bewilderest, me.
Within the breath of autumn woods,
Within the winter silences:
Thy venomous spirit stirs and broods,
O Master of impieties!
The ardour of red flame is thine,
And thine the steely soul of ice:
Thou poisonest the fair design
Of nature, with unfair device.
Apples of ashes, golden bright;
Waters of bitterness, how sweet!
O banquet of a foul delight,
Prepared by thee, dark Paraclete!
Thou art the whisper in the gloom,
The hinting tone, the haunting laugh:
Thou art the adorner of my tomb,
The minstrel of mine epitaph.
I fight thee, in the Holy Name!
Yet, what thou dost, is what God saith:
Tempter! should I escape thy flame,
Thou wilt have helped my soul from Death:
The second Death, that never dies,
That cannot die, when time is dead:
Live Death, wherein the lost soul cries,
Eternally uncomforted.
Dark Angel, with thine aching lust!
Of two defeats, of two despairs:
Less dread, a change to drifting dust,
Than thine eternity of cares.
Do what thou wilt, thou shalt not so,
Dark Angel! triumph over me:
Lonely, unto the Lone I go;
Divine, to the Divinity.
Labels:
Lionel Johnson,
poetry
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