I'm with Rudy on that last point
An Onion article worth reading.
I will incline mine ear to the parable, and shew my dark speech upon the harp
from Psalm 49
Saturday, July 21, 2007
Thursday, July 19, 2007
Seamus Heaney
from the first of the "Glanmore Sonnets"
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then ... Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.
from the first of the "Glanmore Sonnets"
Old ploughsocks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then ... Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.
Labels:
poetry,
Seamus Heaney
Sunday, July 15, 2007
Cummings
when the proficient poison of sure sleep
bereaves us of our slow tranquillities
and He without Whose favour nothing is
(being of men called Love)upward doth leap
from the mute hugeness of depriving deep
with thunder of those hungering wings of His,
into the lucent and large signories
—i shall not smile,beloved;i shall not weep:
when from the less-than-whiteness of thy face
(whose eyes inherit vacancy)will time
extract his inconsiderable doom,
when these thy lips beautifully embrace
nothing
and when thy bashful hands assume
silence beyond the mystery of rhyme
when the proficient poison of sure sleep
bereaves us of our slow tranquillities
and He without Whose favour nothing is
(being of men called Love)upward doth leap
from the mute hugeness of depriving deep
with thunder of those hungering wings of His,
into the lucent and large signories
—i shall not smile,beloved;i shall not weep:
when from the less-than-whiteness of thy face
(whose eyes inherit vacancy)will time
extract his inconsiderable doom,
when these thy lips beautifully embrace
nothing
and when thy bashful hands assume
silence beyond the mystery of rhyme
Labels:
E. E. Cummings
Back to poetry!
Meredith of For Keats' Sake! searches for the perfect line.
A few of my candidates:
She moved in circles, and those circles moved (Roethke)
She sang beyond the genius of the sea (Stevens)
A fasted will marauding through the body (Heaney)
The sundering ultimate kingdom of genesis' thunder (Dylan Thomas, see below)
e quindi uscimmo a riveder le stelle (Dante)
benignamente d'umiltà vestuta (Dante)
Le vierge, le vivace, et le bel aujourd'hui (Mallarmé)
How wrong they are in always being right (Auden)
one's not half two. It's two are halves of one (Cummings)
And night is all a settlement of snow (Wilbur)
(I don't know if I should include such masterful single lines as "upon" by William Carlos Williams, or "satis-" by Robert Creeley ... )
Meredith of For Keats' Sake! searches for the perfect line.
A few of my candidates:
She moved in circles, and those circles moved (Roethke)
She sang beyond the genius of the sea (Stevens)
A fasted will marauding through the body (Heaney)
The sundering ultimate kingdom of genesis' thunder (Dylan Thomas, see below)
e quindi uscimmo a riveder le stelle (Dante)
benignamente d'umiltà vestuta (Dante)
Le vierge, le vivace, et le bel aujourd'hui (Mallarmé)
How wrong they are in always being right (Auden)
one's not half two. It's two are halves of one (Cummings)
And night is all a settlement of snow (Wilbur)
(I don't know if I should include such masterful single lines as "upon" by William Carlos Williams, or "satis-" by Robert Creeley ... )
Saturday, July 14, 2007
Friday, July 13, 2007
from Ceremony after a Fire Raid
by Dylan Thomas (1914-1953)
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
And the golden pavements laid in requiems,
Into the cauldrons of the statuary,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter forever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
by Dylan Thomas (1914-1953)
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
And the golden pavements laid in requiems,
Into the cauldrons of the statuary,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter forever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
Labels:
Dylan Thomas,
poetry
Thursday, July 12, 2007
Cummings
from i: six nonlectures, Nonlecture Two
One ever memorable day, our ex-substantialist (deep in structural meditation) met head-on professor Royce; who was rolling peacefully home from a lecture. "Estlin" his courteous and gentle voice hazarded "I understand that you write poetry." I blushed. "Are you perhaps" he inquired, regarding a particular leaf of a particular tree "acquainted with the sonnets of Dante Gabriel Rossetti?" I blushed a different blush and shook an ignorant head. "Have you a moment?" he shyly suggested, less than half looking at me; and just perceptibly appended "I rather imagine you might enjoy them." Shortly thereafter, sage and ignoramus were sitting opposite each other in a diminutive study (marvellously smelling of tobacco and cluttered with student notebooks of a menacing bluish shade)--the ignoramus listening, enthralled; the sage intoning, lovingly and beautifully, his favorite poems. And very possibly (although I don't, as usual, know) that is the reason--or more likely the unreason--I've been writing sonnets ever since.
from i: six nonlectures, Nonlecture Two
One ever memorable day, our ex-substantialist (deep in structural meditation) met head-on professor Royce; who was rolling peacefully home from a lecture. "Estlin" his courteous and gentle voice hazarded "I understand that you write poetry." I blushed. "Are you perhaps" he inquired, regarding a particular leaf of a particular tree "acquainted with the sonnets of Dante Gabriel Rossetti?" I blushed a different blush and shook an ignorant head. "Have you a moment?" he shyly suggested, less than half looking at me; and just perceptibly appended "I rather imagine you might enjoy them." Shortly thereafter, sage and ignoramus were sitting opposite each other in a diminutive study (marvellously smelling of tobacco and cluttered with student notebooks of a menacing bluish shade)--the ignoramus listening, enthralled; the sage intoning, lovingly and beautifully, his favorite poems. And very possibly (although I don't, as usual, know) that is the reason--or more likely the unreason--I've been writing sonnets ever since.
Mary's Girlhood
(For a Picture)
by Dante Gabriel Rossetti (1828-1882)
This is that blessed Mary, pre-elect
God's Virgin. Gone is a great while, and she
Dwelt young in Nazareth of Galilee.
Unto God's will she brought devout respect,
Profound simplicity of intellect,
And supreme patience. From her mother's knee
Faithful and hopeful; wise in charity;
Strong in grave peace; in pity circumspect.
So held she through her girlhood; as it were
An angel-water'd lily, that near God
Grows and is quiet. Till, one dawn at home,
She woke in her white bed, and had no fear
At all,—yet wept till sunshine, and felt aw'd:
Because the fulness of the time was come.
(For a Picture)
by Dante Gabriel Rossetti (1828-1882)
This is that blessed Mary, pre-elect
God's Virgin. Gone is a great while, and she
Dwelt young in Nazareth of Galilee.
Unto God's will she brought devout respect,
Profound simplicity of intellect,
And supreme patience. From her mother's knee
Faithful and hopeful; wise in charity;
Strong in grave peace; in pity circumspect.
So held she through her girlhood; as it were
An angel-water'd lily, that near God
Grows and is quiet. Till, one dawn at home,
She woke in her white bed, and had no fear
At all,—yet wept till sunshine, and felt aw'd:
Because the fulness of the time was come.
Tuesday, July 10, 2007
Keats
by Henry Wadsworth Longfellow
The young Endymion sleeps Endymion's sleep;
The shepherd-boy whose tale was left half told!
The solemn grove uplifts its shield of gold
To the red rising moon, and loud and deep
The nightingale is singing from the steep;
It is midsummer, but the air is cold;
Can it be death? Alas, beside the fold
A shepherd's pipe lies shattered near his sheep.
Lo! in the moonlight gleams a marble white,
On which I read: "Here lieth one whose name
Was writ in water." And was this the meed
Of his sweet singing? Rather let me write:
"The smoking flax before it burst to flame
Was quenched by death, and broken the bruised reed."
by Henry Wadsworth Longfellow
The young Endymion sleeps Endymion's sleep;
The shepherd-boy whose tale was left half told!
The solemn grove uplifts its shield of gold
To the red rising moon, and loud and deep
The nightingale is singing from the steep;
It is midsummer, but the air is cold;
Can it be death? Alas, beside the fold
A shepherd's pipe lies shattered near his sheep.
Lo! in the moonlight gleams a marble white,
On which I read: "Here lieth one whose name
Was writ in water." And was this the meed
Of his sweet singing? Rather let me write:
"The smoking flax before it burst to flame
Was quenched by death, and broken the bruised reed."
Labels:
Henry Wadsworth Longfellow,
John Keats,
poetry,
sonnets
Monday, July 09, 2007
Dylan Thomas
from "There was a saviour"
Silence, silence to do, when earth grew loud,
In lairs and asylums of the tremendous shout.
from "There was a saviour"
Silence, silence to do, when earth grew loud,
In lairs and asylums of the tremendous shout.
Labels:
Dylan Thomas
from Divina Commedia
by Henry Wadsworth Longfellow
IV
With snow-white veil, and garments as of flame,
She stands before thee, who so long ago
Filled thy young heart with passion and the woe
From which thy song in all its splendors came;
And while with stern rebuke she speaks thy name,
The ice about thy heart melts as the snow
On mountain heights, and in swift overflow
Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam
As of the dawn on some dark forest cast,
Seems on thy lifted forehead to increase;
Lethe and Eunoë -- the remembered dream
And the forgotten sorrow -- bring at last
That perfect pardon which is perfect peace.
V
I lift mine eyes, and all the windows blaze
With forms of saints and holy men who died,
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ's Triumph, and the angelic roundelays,
With splendor upon splendor multiplied;
And Beatrice again at Dante's side
No more rebukes, but smiles her words of praise.
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of peace and love
And benedictions of the Holy Ghost;
And the melodious bells among the spires
O'er all the house-tops and through heaven above
Proclaim the elevation of the Host!
by Henry Wadsworth Longfellow
IV
With snow-white veil, and garments as of flame,
She stands before thee, who so long ago
Filled thy young heart with passion and the woe
From which thy song in all its splendors came;
And while with stern rebuke she speaks thy name,
The ice about thy heart melts as the snow
On mountain heights, and in swift overflow
Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam
As of the dawn on some dark forest cast,
Seems on thy lifted forehead to increase;
Lethe and Eunoë -- the remembered dream
And the forgotten sorrow -- bring at last
That perfect pardon which is perfect peace.
V
I lift mine eyes, and all the windows blaze
With forms of saints and holy men who died,
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ's Triumph, and the angelic roundelays,
With splendor upon splendor multiplied;
And Beatrice again at Dante's side
No more rebukes, but smiles her words of praise.
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of peace and love
And benedictions of the Holy Ghost;
And the melodious bells among the spires
O'er all the house-tops and through heaven above
Proclaim the elevation of the Host!
Labels:
Henry Wadsworth Longfellow,
poetry,
sonnets
The Dark Angel
by Lionel Johnson (1867-1902)
Dark Angel, with thine aching lust
To rid the world of penitence:
Malicious Angel, who still dost
My soul such subtile violence!
Because of thee, no thought, no thing,
Abides for me undesecrate:
Dark Angel, ever on the wing,
Who never reachest me too late!
When music sounds, then changest thou
Its silvery to a sultry fire:
Nor will thine envious heart allow
Delight untortured by desire.
Through thee, the gracious Muses turn,
To Furies, O mine Enemy!
And all the things of beauty burn
With flames of evil ecstasy.
Because of thee, the land of dreams
Becomes a gathering place of fears:
Until tormented slumber seems
One vehemence of useless tears.
When sunlight glows upon the flowers,
Or ripples down the dancing sea:
Thou, with thy troop of passionate powers,
Beleaguerest, bewilderest, me.
Within the breath of autumn woods,
Within the winter silences:
Thy venomous spirit stirs and broods,
O Master of impieties!
The ardour of red flame is thine,
And thine the steely soul of ice:
Thou poisonest the fair design
Of nature, with unfair device.
Apples of ashes, golden bright;
Waters of bitterness, how sweet!
O banquet of a foul delight,
Prepared by thee, dark Paraclete!
Thou art the whisper in the gloom,
The hinting tone, the haunting laugh:
Thou art the adorner of my tomb,
The minstrel of mine epitaph.
I fight thee, in the Holy Name!
Yet, what thou dost, is what God saith:
Tempter! should I escape thy flame,
Thou wilt have helped my soul from Death:
The second Death, that never dies,
That cannot die, when time is dead:
Live Death, wherein the lost soul cries,
Eternally uncomforted.
Dark Angel, with thine aching lust!
Of two defeats, of two despairs:
Less dread, a change to drifting dust,
Than thine eternity of cares.
Do what thou wilt, thou shalt not so,
Dark Angel! triumph over me:
Lonely, unto the Lone I go;
Divine, to the Divinity.
by Lionel Johnson (1867-1902)
Dark Angel, with thine aching lust
To rid the world of penitence:
Malicious Angel, who still dost
My soul such subtile violence!
Because of thee, no thought, no thing,
Abides for me undesecrate:
Dark Angel, ever on the wing,
Who never reachest me too late!
When music sounds, then changest thou
Its silvery to a sultry fire:
Nor will thine envious heart allow
Delight untortured by desire.
Through thee, the gracious Muses turn,
To Furies, O mine Enemy!
And all the things of beauty burn
With flames of evil ecstasy.
Because of thee, the land of dreams
Becomes a gathering place of fears:
Until tormented slumber seems
One vehemence of useless tears.
When sunlight glows upon the flowers,
Or ripples down the dancing sea:
Thou, with thy troop of passionate powers,
Beleaguerest, bewilderest, me.
Within the breath of autumn woods,
Within the winter silences:
Thy venomous spirit stirs and broods,
O Master of impieties!
The ardour of red flame is thine,
And thine the steely soul of ice:
Thou poisonest the fair design
Of nature, with unfair device.
Apples of ashes, golden bright;
Waters of bitterness, how sweet!
O banquet of a foul delight,
Prepared by thee, dark Paraclete!
Thou art the whisper in the gloom,
The hinting tone, the haunting laugh:
Thou art the adorner of my tomb,
The minstrel of mine epitaph.
I fight thee, in the Holy Name!
Yet, what thou dost, is what God saith:
Tempter! should I escape thy flame,
Thou wilt have helped my soul from Death:
The second Death, that never dies,
That cannot die, when time is dead:
Live Death, wherein the lost soul cries,
Eternally uncomforted.
Dark Angel, with thine aching lust!
Of two defeats, of two despairs:
Less dread, a change to drifting dust,
Than thine eternity of cares.
Do what thou wilt, thou shalt not so,
Dark Angel! triumph over me:
Lonely, unto the Lone I go;
Divine, to the Divinity.
Labels:
Lionel Johnson,
poetry
Saturday, July 07, 2007
To Emily Dickinson
by Hart Crane (1899-1932)
You who desired so much — in vain to ask —
Yet fed you hunger like an endless task,
Dared dignify the labor, bless the quest —
Achieved that stillness ultimately best,
Being, of all, least sought for: Emily, hear!
O sweet, dead Silencer, most suddenly clear
When singing that Eternity possessed
And plundered momently in every breast;
— Truly no flower yet withers in your hand.
The harvest you descried and understand
Needs more than wit to gather, love to bind.
Some reconcilement of remotest mind —
Leaves Ormus rubyless, and Ophir chill.
Else tears heap all within one clay-cold hill.
* * *
To Emily Dickinson
by Yvor Winters (1900-1968)
Dear Emily, my tears would burn your page,
But for the fire-dry line that makes them burn—
Burning my eyes, my fingers, while I turn
Singly the words that crease my heart with age.
If I could make some tortured pilgrimage
Through words or Time or the blank pain of Doom
And kneel before you as you found your tomb,
Then I might rise to face my heritage.
Yours was an empty upland solitude
Bleached to the powder of a dying name;
The mind, lost in a word’s lost certitude
That faded as the fading footsteps came
To trace an epilogue to words grown odd
In that hard argument which led to God.
by Hart Crane (1899-1932)
You who desired so much — in vain to ask —
Yet fed you hunger like an endless task,
Dared dignify the labor, bless the quest —
Achieved that stillness ultimately best,
Being, of all, least sought for: Emily, hear!
O sweet, dead Silencer, most suddenly clear
When singing that Eternity possessed
And plundered momently in every breast;
— Truly no flower yet withers in your hand.
The harvest you descried and understand
Needs more than wit to gather, love to bind.
Some reconcilement of remotest mind —
Leaves Ormus rubyless, and Ophir chill.
Else tears heap all within one clay-cold hill.
* * *
To Emily Dickinson
by Yvor Winters (1900-1968)
Dear Emily, my tears would burn your page,
But for the fire-dry line that makes them burn—
Burning my eyes, my fingers, while I turn
Singly the words that crease my heart with age.
If I could make some tortured pilgrimage
Through words or Time or the blank pain of Doom
And kneel before you as you found your tomb,
Then I might rise to face my heritage.
Yours was an empty upland solitude
Bleached to the powder of a dying name;
The mind, lost in a word’s lost certitude
That faded as the fading footsteps came
To trace an epilogue to words grown odd
In that hard argument which led to God.
Labels:
Emily Dickinson,
Hart Crane,
poetry,
sonnets,
Yvor Winters
Cummings
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed
with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds
the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;
moments when my once more illustrious arms
are filled with fascination,when my breast
wears the intolerant brightness of your charms:
one pierced moment whiter than the rest
--turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed
with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds
the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;
moments when my once more illustrious arms
are filled with fascination,when my breast
wears the intolerant brightness of your charms:
one pierced moment whiter than the rest
--turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
Labels:
E. E. Cummings,
poetry,
sonnets
Friday, July 06, 2007
The Cross of Snow
by Henry Wadsworth Longfellow (1807-1882)
In the long, sleepless watches of the night,
A gentle face — the face of one long dead —
Looks at me from the wall, where round its head
The night-lamp casts a halo of pale light.
Here in this room she died; and soul more white
Never through martyrdom of fire was led
To its repose; nor can in books be read
The legend of a life more benedight.
There is a mountain in the distant West
That, sun-defying, in its deep ravines
Displays a cross of snow upon its side.
Such is the cross I wear upon my breast
These eighteen years, through all the changing scenes
And seasons, changeless since the day she died.
by Henry Wadsworth Longfellow (1807-1882)
In the long, sleepless watches of the night,
A gentle face — the face of one long dead —
Looks at me from the wall, where round its head
The night-lamp casts a halo of pale light.
Here in this room she died; and soul more white
Never through martyrdom of fire was led
To its repose; nor can in books be read
The legend of a life more benedight.
There is a mountain in the distant West
That, sun-defying, in its deep ravines
Displays a cross of snow upon its side.
Such is the cross I wear upon my breast
These eighteen years, through all the changing scenes
And seasons, changeless since the day she died.
Labels:
Henry Wadsworth Longfellow,
poetry,
sonnets
The Author Loving These Homely Meats
Specially, Viz.: Cream, Pancakes, Buttered Pippin-Pies
(Laugh, Good People) and Tobacco;
Writ to That Worthy and Virtuous Gentlewoman,
Whom He Calleth Mistress, As Followeth
by John Davies of Hereford (1563?-1618)
If there were, oh! an Hellespont of cream
Between us, milk-white mistress, I would swim
To you, to show to both my love's extreme,
Leander-like, -- yea! dive from brim to brim.
But met I with a buttered pippin-pie
Floating upon 't, that would I make my boat
To waft me to you without jeopardy,
Though sea-sick I might be while it did float.
Yet if a storm should rise, by night or day,
Of sugar-snows and hail of caraways,
Then, if I found a pancake in my way,
It like a plank should bring me to your kays;
Which having found, if they tobacco kept,
The smoke should dry me well before I slept.
Specially, Viz.: Cream, Pancakes, Buttered Pippin-Pies
(Laugh, Good People) and Tobacco;
Writ to That Worthy and Virtuous Gentlewoman,
Whom He Calleth Mistress, As Followeth
by John Davies of Hereford (1563?-1618)
If there were, oh! an Hellespont of cream
Between us, milk-white mistress, I would swim
To you, to show to both my love's extreme,
Leander-like, -- yea! dive from brim to brim.
But met I with a buttered pippin-pie
Floating upon 't, that would I make my boat
To waft me to you without jeopardy,
Though sea-sick I might be while it did float.
Yet if a storm should rise, by night or day,
Of sugar-snows and hail of caraways,
Then, if I found a pancake in my way,
It like a plank should bring me to your kays;
Which having found, if they tobacco kept,
The smoke should dry me well before I slept.
Labels:
John Davies,
poetry,
sonnets
More eagerly anticipated than the Motu Proprio
Theological Implications of Henry John Deutschendorf's Lyrics.
A lecture given by TSO to his cats and dog.
Theological Implications of Henry John Deutschendorf's Lyrics.
A lecture given by TSO to his cats and dog.
Tuesday, July 03, 2007
Novalis
pen-name of Friedrich von Hardenberg (1772-1801)
Ich sehe dich in tausend Bildern,
Maria, lieblich ausgedrückt,
Doch keins von allen kann dich schildern,
Wie meine Seele dich erblickt.
Ich weiß nur, daß der Welt Getümmel
Seitdem mir wie ein Traum verweht,
Und ein unnennbar süßer Himmel
Mir ewig im Gemüte steht.
A prose paraphrase: I see you in a thousand pictures, Mary, lovingly expressed, yet none of them can portray you as my soul looks upon you. I only know that the world's turmoil fades like a dream since then, and an ineffably sweeter heaven stays ever in my mind.
pen-name of Friedrich von Hardenberg (1772-1801)
Ich sehe dich in tausend Bildern,
Maria, lieblich ausgedrückt,
Doch keins von allen kann dich schildern,
Wie meine Seele dich erblickt.
Ich weiß nur, daß der Welt Getümmel
Seitdem mir wie ein Traum verweht,
Und ein unnennbar süßer Himmel
Mir ewig im Gemüte steht.
A prose paraphrase: I see you in a thousand pictures, Mary, lovingly expressed, yet none of them can portray you as my soul looks upon you. I only know that the world's turmoil fades like a dream since then, and an ineffably sweeter heaven stays ever in my mind.
Monday, July 02, 2007
Carlo Carretto
The blogger at TCRNews Musings gives us an ample sampling from the works of the noted spiritual writer (1910-88), and indicates that this is part one of a two-part post.
(And from this blog, four and a half years ago, is Carretto on chastity.)
The blogger at TCRNews Musings gives us an ample sampling from the works of the noted spiritual writer (1910-88), and indicates that this is part one of a two-part post.
(And from this blog, four and a half years ago, is Carretto on chastity.)
Cummings
from the sonnet beginning
"you shall above all things be glad and young"
I'd rather learn from one bird how to sing
than teach ten thousand stars how not to dance
from the sonnet beginning
"you shall above all things be glad and young"
I'd rather learn from one bird how to sing
than teach ten thousand stars how not to dance
Labels:
E. E. Cummings
Saturday, June 30, 2007
Long live Chief Justice Roberts
Found here.
The way to stop discrimination on the basis of race is to stop discriminating on the basis of race.
Found here.
Wednesday, June 27, 2007
Theodore Roethke
one stanza
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.)
one stanza
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.)
Labels:
Theodore Roethke
Monday, June 25, 2007
Sunday, June 24, 2007
Cummings again
--saharas have their centuries,ten thousand
of which are smaller than a rose's moment
--saharas have their centuries,ten thousand
of which are smaller than a rose's moment
Labels:
E. E. Cummings
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